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fjouanny

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Besoin d'un développement au format 127
« le: 07 Mar, 2007, 20:32:13 pm »
Bonjour à toutes et à tous,

Tout d'abord, si je ne poste pas dans le bon forum, n'hésitez pas à me le signaler, c'est toujours un peu complexe de tomber dans le bon forum.

En fouillant dans les vieux appareils photos de mon père, j'ai retrouvé mon premier Kodak Brownie StarFlash. Et quelle surprise de voir qu'il y restait une pellicule ! Je l'ai "terminée", puis rembobinée délicatement.

Donc, voici mon problème: j'ai une pellicule Kodak Verichrome Pan 127 (donc Noir et Blanc d'après ce qu'on m'a dit), mais personne pour me la développer (et encore moins pour la tirer).

Je n'ai pas l'intention d'investir dans une cuve Paterson ou autre qui ne me servirait qu'une fois, d'autant plus que je n'ai jamais pratiqué la chimie...

Donc, y aurait-il parmis vous quelqu'un qui pourrait me guider vers un "G.D." ? (Gentil Développeur ?). Le tirage est facultatif, mais pour le développement, j'ai besoin d'avoir confiance. Il n'y a peut-être plus grand'chose sur la pellicule, mais sait-on jamais ?

Pour la petite histoire, après le Brownie, je suis passé par Fuji, Minolta, et aujourd'hui, je m'éclate avec mon D200......

Un immense grand merci à tous ceux qui pourront me venir en aide (ça fait pas trop "au secours !", j'espère ?).

Franck

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fjouanny

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Besoin d'un développement au format 127
« Réponse #1 le: 07 Mar, 2007, 20:33:20 pm »
J'ai oublié... Idéalement, je cherche quelqu'un sur Paris et RP. Et entre personnes raisonnables, il peut y avoir rémunération...
Merci encore,
Franck

Besoin d'un développement au format 127
« Réponse #2 le: 07 Mar, 2007, 21:14:15 pm »
Bonjour,

...En remettant "un peu d'ordre" dans ce "copier-coller" ( désolé, je ne suis pas le Mozart de l'ordinateur !) vous devriez avoir quelques utiles indications.    
           

  KODAK VERICHROME Pan Film

—Notice of Discontinuance—
 
This film has been discontinued. As a recommended alternative, we suggest KODAK PROFESSIONAL T-MAX 100 Film / 100 TMX or KODAK PROFESSIONAL PLUS-X 125 Film / 125 PX. For more information, see KODAK Publications F-4016, KODAK PROFESSIONAL T-MAX Films, and F-4018, KODAK PROFESSIONAL PLUS-X 125 Film, available from www.kodak.com/go/bwfilms
 

 Download an Adobe Acrobat™ version of this file for printing.



Contents
DESCRIPTION
SIZES AVAILABLE
STORAGE AND HANDLING
EXPOSURE
DARKROOM RECOMMENDATIONS
PROCESSING
IMAGE-STRUCTURE CHARACTERISTICS


DESCRIPTION
KODAK VERICHROME Pan Film is a medium-speed (EI 125) panchromatic film that features extremely fine grain. Its excellent gradation and wide exposure latitude make it a good choice for general-purpose applications. This film has characteristics similar to those of KODAK PLUS-X Pan Professional Film, but does not have retouching surfaces.

FEATURES  BENEFITS  
Extremely fine grain
 Excellent for producing high-quality images
 
Wide exposure latitude
 Rich tonality maintained with overexposure and underexposure
 
Very high sharpness
 Excellent for applications that require a high degree of enlargement
 
High resolving power
 Good rendition of detail
 

SIZES AVAILABLE
Sizes and catalog numbers may differ from country to country. See your dealer who supplies Kodak Professional products.

Roll  Base  Letter Code  CAT No.  
120  3.6-mil acetate  VP  826 9532  


For Cirkut Cameras (Daylight-Loading Rolls)  
Size in. x ft  Base  Letter Code  CAT No.  
8 x 5  3.6-mil acetate  VP  146 9493  



STORAGE AND HANDLING
Load and unload your camera in subdued light.

High temperatures or high humidity may produce unwanted quality changes. Store unexposed film at 75° (24°) or lower in the original package. Always store film (exposed or unexposed) in a cool, dry place. For best results, process film as soon as possible after exposure.

Protect processed film from strong light, and store it in a cool, dry place. For more information on storing negatives, see KODAK Publication No. E-30, Storage and Care of Photographic Materials--Before and After Processing.



EXPOSURE
Daylight
Use the exposures in the table below for frontlighted subjects from 2 hours after sunrise to 2 hours before sunset.

Lighting Conditions  Shutter Speed (Second)  Lens Opening  
Bright or Hazy Sun on Light Sand or Snow  1/125  f/22  
Bright or Hazy Sun (Distinct Shadows)  1/125  f/16*  
Weak, Hazy Sun (Soft Shadows)  1/125  f/11  
Cloudy Bright (No Shadows)  1/125  f/8  
Heavy Overcast or Open Shade**  1/125  f/5.6  
*Use f/8 at 1/125 for backlighted close-up subjects.
**Subject shaded from the sun but lighted by a large area of clear sky.  



Electronic Flash
Use the guide numbers in the table below as a starting point for your equipment. Select the unit output closest to the number given by your flash manufacturer. Then find the guide number for feet or meters. To determine the lens opening, divide the guide number by the flash-to-subject distance.

Unit Output BCPS*  Guide Number  
For Distances in Feet  For Distances in Metres  
350  45  14  
500  55  17  
700  65  20  
1000  80  24  
1400  95  29  
2000  110  33  
2800  130  40  
4000  160  50  
5600  190  60  
8000  220  65  
*BCPS=beam candlepower seconds.  



Exposure and Development Adjustments for Long And Short Exposures
At the exposure times in the table below, compensate for the reciprocity characteristics of this film by increasing exposure and adjusting the development as shown.

If Indicated Exposure Time is (Seconds)  Use This Lens-Aperture Adjustment  OR  This Adjusted Exposure Time (Seconds)  AND Use this Development Adjustment  
1/100,000  +1 stop  Adjust aperture  +20%  
1/10,000  + 1/2 stop  Adjust aperture  +15%  
1/1,000  None  None  +10%  
1/100  None  None  None  
1/10  None  None  None  
1  +1 stop  2  -10%  
10  +2 stops  50  -20%  
100  +3 stops  1,200  -30%  



Filter Corrections
Multiply the normal exposure time by the filter factor.

KODAK WRATTEN
Gelatin Filter  Daylight  Tungsten  
Multiply Exposure By
(filter factor)  Multiply Exposure By
(filter factor)  
No. 8 (yellow)  2  1.5  
No. 11 (yellowish green)  4  4  
No. 15 (deep yellow)  2.5  1.5  
No. 25 (red)  8  5  
No. 47 (blue)  6  12  
No. 58 (green)  6  6  
Polarizing Filter  2.5  2.5  



DARKROOM RECOMMENDATIONS
Do not use a safelight. Handle unprocessed film in total darkness.

Using a safelight will affect your results. If absolutely necessary, after development is half complete, you can use a safelight equipped with a KODAK 3 Safelight Filter (dark green) with a 15-watt bulb for a few seconds. Keep the safelight at least 4 feet (1.2 metres) from the film. Run tests to determine that safelight use gives acceptable results for your application.

For information on safelight testing, see KODAK Publication K-4, How Safe is Your Safelight?



PROCESSING
Handle unprocessed film in total darkness.

These starting-point recommendations are intended to produce a contrast index of 0.60. Make tests to determine the best development time for your application.



Small-Tank Processing
Agitate at 30-second intervals.

KODAK Developer  Development Time in Minutes  
65° (18°)  68° (20°)  70° (21°)  72° (22°)  75° (24°)  
T-MAX  --  6  5 1/2  5  4  
T-MAX RS  --  4  4  3 1/2  3 1/2  
XTOL  7 1/2  6  5 1/4  4 3/4  4  
D-76  8  7  5 1/2  5  4 1/2  
D-76 (1:1)  11  9  8  7  6  
MICRODOL-X  10  9  8  7  6  
MICRODOL-X (1:3)  15  14  13  12  11  
HC-110 (B)  6  5  4 1/2  4  -  
Note: Development times shorter than 5 minutes may produce unsatisfactory uniformity.  



Large-Tank Processing
Agitate once per minute.

KODAK Developer  Development Time in Minutes  
65° (18°)  68° (20°)  70° (21°)  72° (22°)  75° (24°)  
T-MAX RS  --  5 1/2  5  5  4  
D-76  9  8  7  6  5  
D-76 (1:1)  12 1/2  10  9  8  7  
MICRODOL-X  11  10  9  8  7  
MICRODOL-X (1:3)  20  15  14  13  12  
HC-110 (B)  8  6 1/2  6  5 1/2  4 1/2  
Note: Development times shorter than 5 minutes may produce unsatisfactory uniformity.  



Tray Processing Film for Cirkut Cameras
Provide continuous agitation.

KODAK Developer  Development Time in Minutes  
65° (18°)  68° (20°)  70° (21°)  72° (22°)  75° (24°)  
T-MAX RS  5  4 1/2  4  3 1/2  3  
D-76  7  6  5  4 1/2  4  
D-76 (1:1)  10  8  7  6  5  
MICRODOL-X  9  8  7  6  5  
MICRODOL-X (1:3)  14  13  12  11  10  
HC-110 (B)  5  4 1/2  4  3 1/2  3  
Note: Development times shorter than 5 minutes may produce unsatisfactory uniformity.  



Final Steps in Processing—65 to 75° (18 to 24°)
KODAK Chemical  Time (min:sec)  
Rinse--with agitation:  
KODAK Indicator Stop Bath  0:30  
Fix--with frequent agitation:  
KODAK Fixer  5:00 to 10:00  
KODAK Rapid Fixer  2:00 to 4:00  
KODAFIX Solution  2:00 to 4:00  
Wash--in running water:  
--  20:00 to 30:00  
KODAK PHOTO-FLO Solution  0:30  
OR  
Rinse with water  0:30  
KODAK Hypo Clearing Agent  1:00 to 2:00  
Wash  5:00  
Dry--in a clean, dust-free environment.  



IMAGE-STRUCTURE CHARACTERISTICS
The data in this section is based on development at 68° (20°) in KODAK Developer D-76 (1:1) for 9 minutes in a small tank. Contrast Index = 0.60.

Diffuse rms Granularity*  9 Extremely Fine  
*Read at a net diffuse density of 1.0 using a 48-micrometer aperture, 12X magnification.  



Note: The sensitometric curves and data in this publication represent product tested under the conditions of exposure and processing specified. They are representative of production coatings, and therefore do not apply directly to a particular box or roll of photographic material. They do not represent standards or specifications that must be met by Eastman Kodak Company. The company reserves the right to change and improve product characteristics at any time.



Characteristic Curves—Kodak Developer D-76

 Characteristic Curves—Kodak HC-110 Developer (Di B)

 Contrast-Index Curves



Kodak, D-76, HC-110, Kodafix, Kodak Professional, Microdol-X, Photo-Flo, Plus-X, T-Max, Verichrome, Xtol,and Wratten are trademarks.

F-7 December 2002

Cordialement.

Besoin d'un développement au format 127
« Réponse #3 le: 07 Mar, 2007, 22:33:35 pm »
un club photo te le fera de bon coeur!!
dans ta region il y sans doute..
Nikon D 5  2

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